Xu Xiaodong’s master, Mei Huizhi, standing with the Bagua people- Mei is a chief pioneer of modern Sanda in China and a fifth-generation disciple of Baguazhang.
Contrary to popular opinion, the Interlinking/ Weaving routines of Baguazhang as popularized in mainstream and films, contain ‘wrestling with weapons integration’ and not pure empty-hand wrestling. Grappling and takedowns with the instrument in hand, are crucial in feudal melee- often against armed opponents. It is worth noting the forms/drilling methods of Qing-era wrestling are often distinct in aesthetics from the silky/ twisting/ turning style of Swimming Baguazhang.
In modern Baguazhang schools, the Giant Sword and Saber is often emphasized, regardless of branch or styles. In fact, many instructors today regard the sword as the soul of Baguazhang structures, in feudal times… While this theory certainly has merit, Feudal Academia is not here to play guessing games. 10 out of 10 Chinese scholars agree that the cold weapon technology of the Qing Dynasty is inherited directly from the Ming. IRFS provides clear documentation, tracking the longsword foundation to Yu Dazhao in the era of General Qijiguang. Yu Dazhao wrote a book called “The Sword Classic”: the techniques illustrated include the iconic T-step/shape footwork entries of triangular point-stepping, describes the sword method as ‘running water’, a continuous striking which ‘flows with the force’, demonstrates ‘reversing the body’ and ‘heaven and earth’ usage of the longsword… last and most importantly, THE SWORD CLASSIC IS A BOOK ABOUT STICKS [aka polearms] FOR PIKEMAN OF THE ARMY!!
Cheng Ting Hua is Cheng Yougong’s uncle- Cheng Yougong trained and worked as a shop assistant in Cheng Tinghua’s eyeglasses shop. Contrary to popular belief, many of the Cheng family served as elite instructors to the military (not qigong practice), including Cheng Youlong and Cheng Yougong. Cheng Yougong was the Baguazhang instructor of Zhang Xueliang (son of Zhang Zhuolin who Gong Baotian defended) and many Bajiquan fighters in the early 20th century. Hou Diange, the chief bodyguard of Emperor Puyi has a strong bond with the Cheng family. Cheng Yougong met Huo Diange during service in the late 1920s and frequently exchanged Baguazhang /Bajiquan knowledge. Cheng Qingxun learned Bajiquan from Huo (Yougong’s nephew) and still called Huo Diange “Huo Shishu” (Hou Uncle), well into the late 20th century.
The golden ratio is a proportional relationship of numbers- dividing a line into two parts. The ratio of the long line to the short part is equal to the ratio of the whole line to the long section. The numerical ratio is 1.618 : 1 or 1: 0.618, which definition is that the square of the long segment is equal to the product of the full length and the short segment. As early as the sixth century BC, the Greek mathematician Pythagoras revealed there was a harmonious beauty in this segmentation state. Refined strategy in Baguazhang training is governed by the principle of the circle and square. Feudal structures developed during the formation of new movement patterns- enhance martial geometry according to the most perfect proportions of human body mechanics.
Cheng style Baguazhang specializes in close-in wrestling and joint locks- the whole body generates smooth coiling and uncoiling actions, utilizing palm techniques and dynamic footwork… Sure sounds similar to Yin Fu’s smooth and graceful FEUDAL SHAOLIN polearm strategy for Qing Imperial Guards. According to scholars and this pic, it does appear the Pudao/Horse knife is quite commonly utilized during AIRBENDING!!
Often in cinema, the Baguazhang presented is elegant and silky- with a larger diameter eight step circle. The popular Baguazhang movements employ the whole body with smooth coiling and uncoiling actions, utilizing palm techniques, dynamic footwork, and close-in wrestling. In feudal era, the larger circle radius is necessary for polearm-fu against multiple opponents- a characteristic strategy of Qing footsoldiers and militia. In modern times, there are raw lineages which maintain the polearm structures in the empty-hand routines… some more so than others. According to feudal Shaolin Armed Treatise, pure Yin/Cheng artifact of Interlinking Body methods without heavy modification in modern times- should indeed retain the polearm structures with transitions intact. Close-in wrestling integration, with the primary weapon dominant, is standard- and not the other way around. Pre- 1900s, unarmed pugilistic systems as portrayed in popular Baguazhang films would be viewed as an impractical self-defense system for urban applications.
“Shaolin Broken Wall”, also known as “the practical scatter of three hundred and sixty hands.” by Yan Dehua (printed in the Tianjin Commercial Daily in 1936) is connected with high-ranking members of Cheng Tinghua’s relatives. Cheng Youlong, the eldest son of Cheng Tinghua, retired and worked in Tianjin during the early 20th century. Sun Xikun (in the pic) is a senior student of Cheng Youlong- transitions of the single and double palm change are rooted in Ming Era polearms ranging from cudgel, pudao, to tigerfork. The “Shaolin Broken Wall” is likely to symbolize the strong defense line for Beijing with context to the Great Wall [Four Towns and Three Guanzhi/ military wushu book of the Ming Dynasty]
The book, Taiji Yang Luchan’s “Stolen Boxing” by the novelist Gong Baiyu of the Republic of China, is another primary inspiration for modern Baguazhang promotions and instruction. This fantasy novel is the foundation for the renown waiter and teacup story of Dong Haichuan- which contributes to inaccurate documentation of feudal Baguazhang. The story illustrates: Su Wangfu’s banquet on this day are full of wonder and guests -extremely crowded, that the waiter’s [Dong Haichuan] dishes cannot be placed on the table. The Qing officials saw the appearance of marvelous stunts, and the hand-held dishes were twirling between the crowds, flying, and dancing, and entering the unmanned environment- majestically the Waiterbender completed the task!! Everyone in the room was astonished and intrigued, only to realize this person is the top martial arts master Dong Haichuan. When serving teacups, it is the use of superior [Opera-fu] martial arts – the body and footwork of the Eight Trigram Palm.