Celebrate the moments.
In contemporary times with kungfu commercialization, historically accurate Baguazhang is a challenge to identify. Every now and again, someone will ponder why the Men Baozhen/ Xie Peiqi branch of Yin Style Baguazhang ‘aesthetically’ varies from mainstream Baguazhang. Some have suggested Yin Style Hard Palm looks more like KARATE then airbending as commonly depicted in the movies. The feudal breakdown by Chinese scholars can finally put this question to rest… Karate stems from “Tang Hand”, a system which was further refined in the 19th century through the efforts of Tangshou Sakugawa. At that time, Sakuhisa Kakuhe traveled across the ocean to study Chinese martial arts in the Qing Dynasty- improving upon the earlier Ming Dynasty “Tang Hand” rooted in Ryukyu. Sakugawa’s Beijing foundation is often credited to Dong Haichuan, the founder of Baguazhang. Sakujiu’s stick method is influenced by his military studies in Beijing City during this era.
Yin Yuzhang, the son of Yin Fu is remembered for his cleaving Saber methods, utilizing an instrument less than half the length of the iconic Giant Baguazhang saber often instructed in contemporary times. Many Chinese scholars link the cleaving saber to the Pudao in feudal era. The Silky Pudao dates back to the Song Dynasty and remained its emphasis throughout the Qing Dynasty. China is an agricultural continent- the pudao is a rare instrument important to both civil and military airbenders for cultivating qi or vegetables. In feudal times, not everyone had clearance to carry long weapons in certain districts- due to government restrictions at that time. The pudao wielders modified the big knife into a short knife (separating the blade from the pole) and attached the blade to the staff during battle. Yin Fu’s methods undoubtedly emphasize the importance of this long weapon, concealed within the Interlinking Body methods. Live Training Available.
The golden ratio is a proportional relationship of numbers- dividing a line into two parts. The ratio of the long line to the short part is equal to the ratio of the whole line to the long section. The numerical ratio is 1.618 : 1 or 1: 0.618, which definition is that the square of the long segment is equal to the product of the full length and the short segment. As early as the sixth century BC, the Greek mathematician Pythagoras revealed there was a harmonious beauty in this segmentation state. Refined strategy in Baguazhang training is governed by the principle of the circle and square. Feudal structures developed during the formation of new movement patterns- enhance martial geometry according to the most perfect proportions of human body mechanics.
Medieval China is full of mystery, wonder- yet harsh with intensity. Feudal Baguazhang masters utilized the arts for real-world applications in an era which was not forgiving. The historical artifact endured to this day carries genetics often clashing with modern interests… for standard Internal Martial Art enthusiasts. Fortunately, there is something called smart, scholarly, and scientific training which is capable of preserving ancient systems while remaining practical for the modern era.
In the 21st century, Baguazhang is practiced for various reasons ranging from fitness, entertainment, to self-defense. When speaking of historical systems by founders of the method, one should acknowledge factual documentation of nuances and the technology/ strategy of the time period. In popular kungfu culture today, YIN STYLE BAGUA is universally credited for escorting the Empress Dowager/ and Guangxu out of Beijing when the city was under siege from foreign troops. The pic above illustrates the facts, 100% clarity revealing the 1900 escape (left) to the 1902 return to Beijing (right). Feudal Baguazhang exists to this modern era, lost in China fitness reforms and Kungfu vs MMA debates. Ancient systems are still practical for all walks of life, whether biomechanical calisthenics or urban self-defense… Real Baguazhang deserves accurate documentation.
The pre-release of the new historical and scientific analysis of Cheng Baguazhang, published by World Scientific is now available. Special thanks to Arlen, Master Li, Madam Ge for providing IRFS with the opportunity to introduce this marvelous book. The Ultimate Chinese Martial Art, The Science of the Weaving Stance Bagua 64 Forms and its Wellness Applications is a much-anticipated book authored by an old mentor and family friend, Li Junfeng. Classic baguazhang enthusiasts will remember Li Junfeng as the lead actor in the award winning film, The Honor of Dong Fangxu, the iconic movie which propelled Cheng Baguazhang into mainstream culture, beginning the baguazhang renaissance in Beijing and China in 1982. The original film is the inspiration for Wang Kar Wai's The GrandMaster movie. The Ultimate book is coauthored by Luo Tong and Ge Chun Yan, who is Zhang Zi Yi's baguazhang coach for the Oscar-nominated action film. For Baguazhang practitioners searching for a new style of martial art book providing insight into the historical and scientific exploration of the Dragon style of Baguazhang - this book does not disappoint. Unlike classic internal kungfu books on mystical qi fields, this one is published by World Scientific. Refreshing indeed, The Ultimate Chinese Martial Art removes the Chinglish and over sophisticated/poetic writing style of cliche Asian martial arts manuals ( thanks to Mr. Luo). The book is divided into three main sections, Part one: Cultural, historical, scientific background of Baguzhang. Part two: Concise instruction for training methods, foundational mechanics, and 64 palm routine consolidated from the knowledge of famous Cheng masters -Sun Zhijun, Liu Jingru, and Sha Guo Zheng. Part three: Fighter's mind and wellness applications/ fight evolution and martial renaissance discussions.
The Ultimate Chinese Martial Art, The Science of the Weaving Stance Bagua 64 Forms and its Wellness Applications⇒ Part one begins with Biological theory, addressing the brutal combative nature of ancient internal martial arts and its modernization into the 21st century. Discussions are given on the martial evolution of human body through natural selection, and our complex physical design to become great fighters. The first section provides a solid crash course in Taoism, Confucianism, Trigrams, Taiji philosophy, Shaolin origins, and evolution from outer to inner schools of fighting arts. Three major components of Chinese martial arts are analyzed - the practical application component, body/mind development and wellness component, and the controversy of the "dancing" impractical art side of Chinese martial systems component.
In the next chapter, new perspective is provided on Dong Haichuan and Cheng-ting Hua, including discussions on the later heavier, self-cultivation aspect of Dong Haichuan's teachings - as he was 77 years of age when he retired from the Imperial court to teach Baguazhang full time. As a side note, the book suggests the strong emphasis on energy cultivation and health in Cheng bagua is traditional/crucial via the founder and not a process of modernization. A brief discussion is provided on Cheng Ting Hua's body and build - revealing it's similarity to the build of Dong Haichuan, thus the popularity of the Dragon shape and Cheng Ting Hua's close resemblance to the Founder's own preferred fighting structures. (Note: the Men Boazhen/Xie Peiqi branch of Yin Style view swimming (weaving) bagua to be an integrated part of the eight animal (dragon) system. Modernized demonstration routines now alter the perspective of the original fighting art of Baguazhang regardless of branch/raw, noncommercialized bagua are usually not very pretty, and contain nuanced martial strategy and biomechanics not obvious to nonpractitioners.) Credit is given to Yin Fu as the top disciple of Dong Haichuan, who spent the most time training with the founder during his prime fighting years.
Chapter three, The Ultimate book detours into Newtonian and classical physics of Axioms. Explanations into physics of objects moving in perfect circles, stopping and smart power, sophisticated design of Baguazhang even to the atomic level....Chapter four transitions into classic principals, meridians, biomechanics. Chapter Five explores Mud -Wading steps of Cheng baguazhang and its scientific illustration. Enthusiasts curious about the iconic unnatural slide step made famous in mainstream Bagua culture, this section answers all of those questions. As a note, the book discusses the slight misunderstanding of the original mud step and the now over-emphasis on keeping the soles of both feet parallel to the floor at all times. The mud stepping of old practitioners of Cheng were somewhat more natural in quality, paying more attention to the body's center of gravity as a whole and not just sliding on a cord (though as a developmental method, modernized mud wading is even more tiring to train then wheel step, those who train Yin and Cheng understand this surely. This correlates with He Jinbao's description of the original mud stepping methods of the more combative branches of Dragon shape Bagua).
Chapter 6, Beauty, Grace, Power. The New 64 Palms detailed demonstration and key points by Madam Ge Chun Yan, established under the guidance of famous Cheng/and or Bagua masters and her coach, Li Junfeng.
Chapter 7, Science of mind/body, importance of integrating ancient fighting arts with modern life. This chapter reveals interesting perspective on the visible changes of our ancient fighters body of 10, 000 years ago vs modern times. Our outer body shape has shifted considerably, yet our organ structure remain very similar to cave men. (hint, internal martial arts are worth exploring). This chapter describes the cause and effects of ancient fighter's evolutionary path into the modern keyboard warrior, informing how this impacts our mind-body connection. Humans were given a sophisticated fighters body over millions of years of evolution, and in just hundreds of years stopped needing to fight the same way as our ancestors. This creates intrinsic conflicts and this section will tell you all about that.... Chapter 9, closes with commentary of the internal martial arts renaissance, and again gives credit to Dong Haichuan for forming the sophisticated and comprehensive art of Baguazhang. The late chapters explain the title of the book "The Ultimate Martial Art". Baguazhang is the latest, evolution of Royal Chinese martial arts developed by the founder, who historians consider the best fighter in the Qing Dynasty.
This brief summary barely touches the surface. The Ultimate Chinese Martial Art contains much more complex subjects and numerous scientific graphs, formulas, concepts, physics. -IRFS
For those interested in the pre-release of The Ultimate Chinese Martial Art, please contact Arlen Hodinh: firstname.lastname@example.org