More times than not… the stress response is activated during modern Kungfu vs MMA challenges and goes into overdrive anytime popular kungfu interpretation examines its own feudal history (the one that is not reimagined/approved by the Chinese State Commission for Physical Culture and Sports). Elevated levels of stress and anxiety often accompany vestibular dysfunction- overwhelming dizziness and loss of balance are common in kungfu practitioners with panic and other anxiety disorders. A stressed-out vestibular system may induce fear of movement, the feeling of insecurity in a fight, and unbalanced emotions in the context of proper historical documentation. Extensive circle walking and feudal insight harmonize the interaction between stress and vestibular compensation.
The method of clenching fists in Bajiquan is unlike standard boxing in origin. The four-finger curves and hollows, in a shape similar to a “palladium” or fork-like instrument. The ancients named it “Palladium Fist/Baziquan” during the Ming Dynasty. The system excels in close-in boxing, stick melee/polearm applications and shares technology similar to Yin Style Baguazhang (Phoenix Curling-In) and Escrima (Snapping Strikes). The fist hollows and clenches in intervals, or with a whip-like fashion before impact- designed for speed, rapid succession, and delivery of power with polearms or batons.
Baguazhang, regardless of branch, is known for practicing with extremely large weapons. The Big Broadsword is the most iconic, yet often it is portrayed as the giant Oxtail Saber in modern schools. The famous Big Saber, in truth, is the military Pudao/Halberd of the Qing Dynasty. Yin Fu’s son Yin Yu Zhang represented large saber in his book ‘Practice Methods For Cleaving Saber Techniques’ in 1933. The cleaving saber in feudal times is attached to a wooden staff (true Big Saber) for patrol duties, allowing for versatility and longer reach. The westernization movement in the mid 19th century gave rise to the popularity of bayonets and refined pistols. Modernized/compact carry of the cleaving blade portion separate from the wooden staff became standard. The ‘Swimming Body’ style of Baguazhang caters directly to the Pudao/Halberd in conjunction with close-in wrestling tactics of Qing era bodyguards- it is unfortunate many have forgotten the original context. The Men Baozhen/ Xie Peiqi branch has always viewed the ‘Swimming Body’ method as a subsystem of the Yin Style Bagua Dragon System.
[The Warlords Film/ Jet Li, and Xie Peiqi]
The exotic bone strikes of YSB Phoenix System descends from the era of Cotton Armor in feudal dynasties. The composite armor is cotton lined with iron or hardened leather. The cotton-lined steel sheets protect the torso, the arms and back of the hands- which provides a very strong, heavy, and dominant surface to strike with during close-quarters melee. Jet Li demonstrates the bone strike in the Warlords motion picture, a battle scene amidst the Taiping Rebellion.
Shanqi (善耆; 1866–1922; 10th), held the title Prince Su of the First Rank from 1898 to 1922, posthumously honored as Prince Suzhong of the First Rank (肅忠親王). There are three noticeable Airbenders in the background. Eunuch bodyguards of the good prince would look like the pic. Dong Haichuan is employed by Prince Shanqi in the 19th century.