The phoenix system is generally agile and dominant- force is emitted from the shoulders and characterized by its whipping action. Phoenix methods are relatively more dynamic/graceful out of the core four systems. The striking methods are: dodging, extending, chopping, shocking, transforming, removing, curling in, and cutting. The phoenix’s characteristic movement technique is Windmill Force.
[In the left corner, Imperial Guard/ in the right corner, Eunuch Bodyguards]
During the early 19th century, the Forbidden City Summer Palace (Yuanmingyuan) utilized resistance forces known as “Technical Courage Eunuchs”, well-known martial artists selected from the eunuch team. A special security bodyguard capable of protecting the safety of the emperor in the innermost quarters of the court- in areas that were difficult for the military/ Imperial Guards to enter. However, the team this close to the family has relatively low combat strength compared to Imperial Guards or military divisions. Empty-hand skill in regards to retraint/ disarms are emphasized. The instruments used are mostly sticks/ spears and waist knives. Though well trained, the Qing eunuch guards were fond of the Peking Opera apparently.
100% of historians and Baguazhang enthusiasts agree- Yin Fu is the Senior Disciple of Dong Haichuan with the most elite demands for martial application [Imperial Guard Commander]. What most do not agree on is the context, and how Yin Style Baguazhang should appear aesthetically, as far as feudal routine training. In contemporary times, kungfu enthusiasts often base imagery from mainstream movies. A classic example: the Baguazhang style demonstrated in ‘The Grandmaster’ motion picture is commonly associated with Cheng Style Baguazhang (or polearm methods in Yin). However, the character in the film, Gong Yutian (Zhang Ziyi’s father) in factual history is built on GONG BAOTIAN- Gong’s system in real life is Yin Style Baguazhang, not Cheng Style. The predicament here… so is the Baguazhang fighter Gong Yutian a badass because of Cheng Baguazhang, or because of Yin Baguazhang polearm usage [the prop left out of the film]? Or is the reason simply modern enthusiasts associate high-level Baguazhang inspired by true history/ presented as fantasy in popular media- to be the most efficient method of learning feudal fighting systems in modern times? [Note: China has plenty of Qing Imperial Guard statues and toy figures as illustrated above. The rest is preference and history!!]
Wong Kar-wai’s 2013 film, THE GRANDMASTER, features elegant cinematography and artistry of Baguazhang. In the movie, Gong Er’s (Zhang Ziyi) father is Gong Yutian who is an elite Yin Style Baguazhang fighter. Gong Yutian’s character is inspired by Yin Fu’s (right on pic) disciple GONG BAOTIAN (left)- who served as the royal bodyguard of the Dowager Empress Cixi (middle). The style of Baguazhang in the movie is Yin/Cheng Baguazhang Interlinking Body- characterized by smooth coiling and uncoiling actions, dynamic footwork, close-in wrestling, bone strikes, and most importantly Polearm methods of Qing era Bodyguards… An interesting note, Gong Baotian’s LUOHAN Style of Baguazhang is cross-trained by Wutan Bajiquan carrier, Liu Yun Qiao. The Bajiquan fighter (Razor’s character) in The Grandmaster film is based on Liu Yun Qiao’s journeys.
Cheng style Baguazhang specializes in close-in wrestling and joint locks- the whole body generates smooth coiling and uncoiling actions, utilizing palm techniques and dynamic footwork… Sure sounds similar to Yin Fu’s smooth and graceful FEUDAL SHAOLIN polearm strategy for Qing Imperial Guards. According to scholars and this pic, it does appear the Pudao/Horse knife is quite commonly utilized during AIRBENDING!!