Cheng Ting Hua – Court Guard

Contrary to popular folk documentation, scholars reveal Cheng Ting Hua became a qualified candidate in the Court Bodyguards of the Empress Dowager… quite possibly the Qing Wrestling Batallion or, the Good Camp. The inner guards (Yin Fu) and the good-fighting camp are directly under the jurisdiction of the emperor and have the obligation to serve as guards. There are about 2,000 people in the inner guards, and there are only 300 people in the camp. Regardless of Cheng’s official position, he is not a folk martial art master- but a professional with urban strategy. Cheng Baguazhang represented in a Kungfu vs MMA context is inaccurate.

Feudal Stick Method – Foundations

According to Ming warrior Yu Dazhao:  “With the stick, you can decipher the Four Books.” Hooks, knives, spears, and polearms are all the same. If you can utilize the stick efficiently, the methods of the various weapons will be successful”

The Soul Of Baguazhang – Ming Dynasty Sword Classics

In modern Baguazhang schools, the Giant Sword and Saber is often emphasized, regardless of branch or styles. In fact, many instructors today regard the sword as the soul of Baguazhang structures, in feudal times… While this theory certainly has merit, Feudal Academia is not here to play guessing games. 10 out of 10 Chinese scholars agree that the cold weapon technology of the Qing Dynasty is inherited directly from the Ming.  IRFS provides clear documentation, tracking the longsword foundation to Yu Dazhao in the era of General Qijiguang. Yu Dazhao wrote a book called “The Sword Classic”:  the techniques illustrated include the iconic  T-step/shape footwork entries of triangular point-stepping, describes the sword method as ‘running water’, a continuous striking which ‘flows with the force’, demonstrates ‘reversing the body’ and ‘heaven and earth’ usage of the longsword… last and most importantly, THE SWORD CLASSIC IS A BOOK ABOUT STICKS [aka polearms] FOR PIKEMAN OF THE ARMY!!

The Golden Ratio – Martial Geometry

The golden ratio is a proportional relationship of numbers- dividing a line into two parts. The ratio of the long line to the short part is equal to the ratio of the whole line to the long section. The numerical ratio is 1.618 : 1 or 1: 0.618, which definition is that the square of the long segment is equal to the product of the full length and the short segment. As early as the sixth century BC, the Greek mathematician Pythagoras revealed there was a harmonious beauty in this segmentation state.  Refined strategy in Baguazhang training is governed by the principle of the circle and square. Feudal structures developed during the formation of new movement patterns- enhance martial geometry according to the most perfect proportions of human body mechanics.

Dong Jun – Dong Haichuan’s Ancestor

Dong Jun (1186—1233) is a famous ancestor of Dong Haichuan. The Dong family is renown for the ancient battlefield kungfu- which Baguazhang earned its reputation in feudal times. The real Dong Haichuan descended from elite military commanders who are also real people- serving the empire with great contributions to Mongolia and Beijing.  Dong Jun is the first deputy marshal and Army General of the Yuan Dynasty, in the era of Kublai Khan.  In 1232 he participated in the siege of the Battle of Beijing and died during airbending in 1233. Feudal Baguazhang masters deserve honor for their kungfu with accurate context– the modern Baguazhang sports promotions have shifted considerably from the origin systems.

Anatomy of Yin Style Baguazhang – Imperial Guard Toy Figure

100% of historians and Baguazhang enthusiasts agree- Yin Fu is the Senior Disciple of Dong Haichuan with the most elite demands for martial application [Imperial Guard Commander]. What most do not agree on is the context, and how Yin Style Baguazhang should appear aesthetically, as far as feudal routine training. In contemporary times, kungfu enthusiasts often base imagery from mainstream movies.  A classic example: the Baguazhang style demonstrated in ‘The Grandmaster’ motion picture is commonly associated with Cheng Style Baguazhang (or polearm methods in Yin).  However, the character in the film, Gong Yutian (Zhang Ziyi’s father) in factual history is built on GONG BAOTIAN- Gong’s system in real life is Yin Style Baguazhang, not Cheng Style. The predicament here… so is the Baguazhang fighter Gong Yutian a badass because of Cheng Baguazhang, or because of Yin Baguazhang polearm usage [the prop left out of the film]? Or is the reason simply modern enthusiasts associate high-level Baguazhang inspired by true history/ presented as fantasy in popular media- to be the most efficient method of learning feudal fighting systems in modern times?  [Note: China has plenty of Qing Imperial Guard statues and toy figures as illustrated above. The rest is preference and history!!]