Dragon Anatomy – Big Saber

The Qing era heavy knife (Big Saber) as a whole symbolizes a dragon, which is divided into a dragon head, a dragon body, and a dragon tail. Several variants exist, ranging from patrol, strength development, to ceremonial applications. The oversized strength training versions of wrestlers

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The Ball Is Not In Your Court – Eunuch Bodyguards

[In the left corner, Imperial Guard/ in the right corner, Eunuch Bodyguards] During the early 19th century, the Forbidden City Summer Palace (Yuanmingyuan) utilized resistance forces known as “Technical Courage Eunuchs”, well-known martial artists selected from the eunuch team. A special security bodyguard capable of

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Dadao – Baguazhang Big Knife

Before the late Qing Dynasty, the concept of “big knife/Dadao” in the army mostly refers to the knife of the long pole, similar to the shape of the Guandao. The knife with a short handle and a large blade (in popular contemporary Baguazhang culture) is

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Baguazhang Footwork Origins – T Square Step

Dong Haichuan’s Baguazhang footwork shares ancestry with Ming-era systems in Hebei Province, including Bajiquan. The T-step (also called T Square) is well documented in Ming General Yu Dayou’s ‘Sword Classics’, with emphasis on polearms in origin.  The reversing T step describes escaping backward, then taking advantage

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Horse Cutter – Qing Wrestling Battalions

The most elite wrestlers in Qing era reside within the royal courts, known as the Imperial Guard Wrestling Battalion.  The signature strength training/ defense instrument is the Horse Cutter in various weight and shapes [pudao/guandao styling]. Yin Style Baguazhang experts utilized this polearm for royal

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The Grandmaster Motion Picture – Wong Kar-Wai

Wong Kar-wai’s 2013 film, THE GRANDMASTER, features elegant cinematography and artistry of Baguazhang. In the movie, Gong Er’s (Zhang Ziyi) father is Gong Yutian who is an elite Yin Style Baguazhang fighter. Gong Yutian’s character is inspired by Yin Fu’s (right on pic) disciple GONG

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The Honor of Dongfang Xu – Han Muxia

The First Baguazhang motion picture ‘THE HONOR OF DONGFANG XU’ (1983) became the inspiration for Wang Kar-Wai’s ‘THE GRANDMASTER’ film (2013).  Li Junfeng’s character is based on Han Muxia, a Baguazhang expert in the early 20th century. The unarmed pugilism and martial context, against the

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Elegant and Silky – Yin/ Cheng Interlinking Body

Often in cinema, the Baguazhang presented is elegant and silky- with a larger diameter eight step circle. The popular Baguazhang movements employ the whole body with smooth coiling and uncoiling actions, utilizing palm techniques, dynamic footwork, and close-in wrestling. In feudal era, the larger circle

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Baguazhang – China MMA

Kungfu vs MMA is certainly the hot topic in modern martial arts culture. Traditional Kungfu has received quite a beating in recent years- due to inaccurate documentation of history and faulty commercial promotions. Many in the west do not understand the Chinese language and current

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Renaissance Man – Bruce Lee

Bruce Lee sought to develop abilities in all areas of accomplishment: intellectual, artistic, and physical. Bruce has often been described as the archetype of the Renaissance man in modern kungfu culture. Bruce is also known by feudal historians to have a profound interest in Qing

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