The Grandmaster Motion Picture – Wong Kar-Wai

Wong Kar-wai’s 2013 film, THE GRANDMASTER, features elegant cinematography and artistry of Baguazhang. In the movie, Gong Er’s (Zhang Ziyi) father is Gong Yutian who is an elite Yin Style Baguazhang fighter. Gong Yutian’s character is inspired by Yin Fu’s (right on pic) disciple GONG BAOTIAN (left)- who served as the royal bodyguard of the Dowager Empress Cixi (middle).  The style of Baguazhang in the movie is Yin/Cheng Baguazhang Interlinking Body- characterized by smooth coiling and uncoiling actions, dynamic footwork, close-in wrestling, bone strikes, and most importantly Polearm methods of Qing era Bodyguards… An interesting note, Gong Baotian’s LUOHAN Style of Baguazhang is cross-trained by Wutan Bajiquan carrier, Liu Yun Qiao.  The Bajiquan fighter (Razor’s character) in The Grandmaster film is based on Liu Yun Qiao’s journeys.  

Yin Style Baguazhang – Feudal Structures

The Snake System of Men Baozhen/ Xie Peiqi branch features a compact guard posture, emphasizing preemptive striking from a natural index position. The palm structures and constricting, binding applications descend from feudal Qing Military/Intelligence methods. Short stick and dagger are inherent throughout. This style of Snake Penetrating Palm differs from the Orthodox Penetrating Palms in its original application.

The Orthodox Penetrating Palms (left) utilizes a larger diameter circle in training, with a more classical Baguazhang style of movement. The footwork originally favored linear angles, sometimes cutting through the center of the circle. The framework contains Dragon-like, iron bracelet strategy. However adaptable for unarmed fighting- the feudal methods retain the short spear/ lance applications for melee on foot, perfectly.  The Dragon structures (right) retain armed applications ranging from Shaolin staff to Napoleonic saber, with a bit of Bayonet-fu. Dragon is exceptionally balanced and well structured for modern self-defense. The Qing era footwork and structures are characterized as “Fencing Without A Sword”, generating force and angles of strikes as if sword fighting.