Contrary to popular opinion, the Interlinking/ Weaving routines of Baguazhang as popularized in mainstream and films, contain ‘wrestling with weapons integration’ and not pure empty-hand wrestling. Grappling and takedowns with the instrument in hand, are crucial in feudal melee- often against armed opponents. It is worth noting the forms/drilling methods of Qing-era wrestling are often distinct in aesthetics from the silky/ twisting/ turning style of Swimming Baguazhang.
In modern Baguazhang schools, the Giant Sword and Saber is often emphasized, regardless of branch or styles. In fact, many instructors today regard the sword as the soul of Baguazhang structures, in feudal times… While this theory certainly has merit, Feudal Academia is not here to play guessing games. 10 out of 10 Chinese scholars agree that the cold weapon technology of the Qing Dynasty is inherited directly from the Ming. IRFS provides clear documentation, tracking the longsword foundation to Yu Dazhao in the era of General Qijiguang. Yu Dazhao wrote a book called “The Sword Classic”: the techniques illustrated include the iconic T-step/shape footwork entries of triangular point-stepping, describes the sword method as ‘running water’, a continuous striking which ‘flows with the force’, demonstrates ‘reversing the body’ and ‘heaven and earth’ usage of the longsword… last and most importantly, THE SWORD CLASSIC IS A BOOK ABOUT STICKS [aka polearms] FOR PIKEMAN OF THE ARMY!!
According to Chinese Scholars, the Qing Dynasty retained the cold weapons strategy (polearms, sabers, non-firearms etc.) from the Ming Dynasty armed treatise… which would be the strategy of Feudal Shaolin. The core of all Shaolin systems is the polearm/staff- essential and the first line of defense for most armed escorts and militia without access to Chinese Gun-fu. Close-in wrestling is essential during polearm melee, with a refined/scientific approach which exists in raw lineages today. The methods descend from an era when Kungfu masters still fought in life or death situations with a medieval weapon- contrary to most modern Opera-fu (it’s also pretty and silky without the polearm). Cheng Ting Hua is at the minimum, reserves/ militia in the Qing Dynasty. Being drafted by the Empress Cixi personally during the 1900 escape from Beijing- is no easy task for the average Mcdojo in ancient China. Yin Fu is skilled at the polearms also… it is a pre-requisite for tax collecting in Inner Mongolia with the founder of Baguazhang.