[Imperial Guard examination & Chang Dongsheng with a nice chin jab] Most Baguazhang lineages today use large oversized instruments such as the giant saber, for strength conditioning purposes. The foundation for this tradition descends from feudal wrestling battalions. Yin Fu and Cheng Ting Hua were both wrestlers.
As early as 90 years ago, a predecessor named Zhang Zhijiang dedicated extreme efforts into “kungfu anti-counterfeiting”, to strengthen feudal systems evolving with contemporary lifestyles. The scope of Zhang’s mission was even greater than that of Xu Xiaodong’s modern anti-counterfeiting incident. Zhang’s incident was the first national examination in the country in 1928. As a military commander, Zhang understood martial arts emphasized truth in the application. Feudal kungfu is crucial in the context of the battlefield- however, a balance is required for modern application and combat sports standards.
Most Internal Martial Arts in origin, descend or are significantly influenced by Ming General Qi Jiguang, a pioneer of kungfu in medieval China. His ancient proverb states that the “pretty is not practical and the practical is not pretty.” Feudal Scholars believe Qi Jiguang is describing YIN STYLE BAGUAZHANG- a raw historical artifact of terrifying prowess and prestige. Many have yet to realize, feudal Baguazhang does not look like the performance-based demonstrations often represented in modern kungfu cinema. To judge an ancient fighting art using contemporary Peking Opera-fu aesthetics guidelines- is a prime reason why there are Kungfu vs MMA discussions in modern times.
According to Chinese Scholars, the Qing Dynasty retained the cold weapons strategy (polearms, sabers, non-firearms etc.) from the Ming Dynasty armed treatise… which would be the strategy of Feudal Shaolin. The core of all Shaolin systems is the polearm/staff- essential and the first line of defense for most armed escorts and militia without access to Chinese Gun-fu. Close-in wrestling is essential during polearm melee, with a refined/scientific approach which exists in raw lineages today. The methods descend from an era when Kungfu masters still fought in life or death situations with a medieval weapon- contrary to most modern Opera-fu (it’s also pretty and silky without the polearm). Cheng Ting Hua is at the minimum, reserves/ militia in the Qing Dynasty. Being drafted by the Empress Cixi personally during the 1900 escape from Beijing- is no easy task for the average Mcdojo in ancient China. Yin Fu is skilled at the polearms also… it is a pre-requisite for tax collecting in Inner Mongolia with the founder of Baguazhang.
In the 21st century, Baguazhang is practiced for various reasons ranging from fitness, entertainment, to self-defense. When speaking of historical systems by founders of the method, one should acknowledge factual documentation of nuances and the technology/ strategy of the time period. In popular kungfu culture today, YIN STYLE BAGUA is universally credited for escorting the Empress Dowager/ and Guangxu out of Beijing when the city was under siege from foreign troops. The pic above illustrates the facts, 100% clarity revealing the 1900 escape (left) to the 1902 return to Beijing (right). Feudal Baguazhang exists to this modern era, lost in China fitness reforms and Kungfu vs MMA debates. Ancient systems are still practical for all walks of life, whether biomechanical calisthenics or urban self-defense… Real Baguazhang deserves accurate documentation.
Cheng style Baguazhang specializes in close-in wrestling and joint locks- the whole body generates smooth coiling and uncoiling actions, utilizing palm techniques and dynamic footwork… Sure sounds similar to Yin Fu’s smooth and graceful FEUDAL SHAOLIN polearm strategy for Qing Imperial Guards. According to scholars and this pic, it does appear the Pudao/Horse knife is quite commonly utilized during AIRBENDING!!