Grappling and throws, groundwork has strong roots in Ming Dynasty China- in the era of heavy armor and knights. Most soldiers in feudal China served as peacekeepers, subduing an opponent on the ground for capture is a necessity in certain applications. Generally, ground fighting is limited if possible during melee situations against multiple armed opponents- however necessary for security purposes or last resort from injury on the battlefield. The feudal Shaolin Arm Bar is labeled as “Straddling a Horse” technique. Liu Jin Sheng in the pic is a Shaolin officer in the Shanghai days of William E. Fairbairn. It is a modern myth Baguazhang contains minimal knowledge of ground fundamentals.
Yin Yuzhang, the son of Yin Fu is remembered for his cleaving Saber methods, utilizing an instrument less than half the length of the iconic Giant Baguazhang saber often instructed in contemporary times. Many Chinese scholars link the cleaving saber to the Pudao in feudal era. The Silky Pudao dates back to the Song Dynasty and remained its emphasis throughout the Qing Dynasty. China is an agricultural continent- the pudao is a rare instrument important to both civil and military airbenders for cultivating qi or vegetables. In feudal times, not everyone had clearance to carry long weapons in certain districts- due to government restrictions at that time. The pudao wielders modified the big knife into a short knife (separating the blade from the pole) and attached the blade to the staff during battle. Yin Fu’s methods undoubtedly emphasize the importance of this long weapon, concealed within the Interlinking Body methods. Live Training Available.
The golden ratio is a proportional relationship of numbers- dividing a line into two parts. The ratio of the long line to the short part is equal to the ratio of the whole line to the long section. The numerical ratio is 1.618 : 1 or 1: 0.618, which definition is that the square of the long segment is equal to the product of the full length and the short segment. As early as the sixth century BC, the Greek mathematician Pythagoras revealed there was a harmonious beauty in this segmentation state. Refined strategy in Baguazhang training is governed by the principle of the circle and square. Feudal structures developed during the formation of new movement patterns- enhance martial geometry according to the most perfect proportions of human body mechanics.
Dong Jun (1186—1233) is a famous ancestor of Dong Haichuan. The Dong family is renown for the ancient battlefield kungfu- which Baguazhang earned its reputation in feudal times. The real Dong Haichuan descended from elite military commanders who are also real people- serving the empire with great contributions to Mongolia and Beijing. Dong Jun is the first deputy marshal and Army General of the Yuan Dynasty, in the era of Kublai Khan. In 1232 he participated in the siege of the Battle of Beijing and died during airbending in 1233. Feudal Baguazhang masters deserve honor for their kungfu with accurate context– the modern Baguazhang sports promotions have shifted considerably from the origin systems.
Yang Kun is a friend and mentor of He Jinbao, extraordinary in Yin Style Baguazhang skill and chivalry. The Baguazhang methods of Yang descend from the Beiyang New Army in the Beijing and Tianjin area. Yang Kun is known for his strength in Yin Style iron bracelet strategy and interlinking body methods. [the pic in the background is from MMA Xu Xiaodong’s tv show in Beijing- Yang Kun’s disciples, left, are often guests of honor. Xu is a supporter of Real Baguazhang- he’s always been respectful towards Yin Style Baguazhang]
100% of historians and Baguazhang enthusiasts agree- Yin Fu is the Senior Disciple of Dong Haichuan with the most elite demands for martial application [Imperial Guard Commander]. What most do not agree on is the context, and how Yin Style Baguazhang should appear aesthetically, as far as feudal routine training. In contemporary times, kungfu enthusiasts often base imagery from mainstream movies. A classic example: the Baguazhang style demonstrated in ‘The Grandmaster’ motion picture is commonly associated with Cheng Style Baguazhang (or polearm methods in Yin). However, the character in the film, Gong Yutian (Zhang Ziyi’s father) in factual history is built on GONG BAOTIAN- Gong’s system in real life is Yin Style Baguazhang, not Cheng Style. The predicament here… so is the Baguazhang fighter Gong Yutian a badass because of Cheng Baguazhang, or because of Yin Baguazhang polearm usage [the prop left out of the film]? Or is the reason simply modern enthusiasts associate high-level Baguazhang inspired by true history/ presented as fantasy in popular media- to be the most efficient method of learning feudal fighting systems in modern times? [Note: China has plenty of Qing Imperial Guard statues and toy figures as illustrated above. The rest is preference and history!!]
Medieval China is full of mystery, wonder- yet harsh with intensity. Feudal Baguazhang masters utilized the arts for real-world applications in an era which was not forgiving. The historical artifact endured to this day carries genetics often clashing with modern interests… for standard Internal Martial Art enthusiasts. Fortunately, there is something called smart, scholarly, and scientific training which is capable of preserving ancient systems while remaining practical for the modern era.
Most Internal Martial Arts in origin, descend or are significantly influenced by Ming General Qi Jiguang, a pioneer of kungfu in medieval China. His ancient proverb states that the “pretty is not practical and the practical is not pretty.” Feudal Scholars believe Qi Jiguang is describing YIN STYLE BAGUAZHANG- a raw historical artifact of terrifying prowess and prestige. Many have yet to realize, feudal Baguazhang does not look like the performance-based demonstrations often represented in modern kungfu cinema. To judge an ancient fighting art using contemporary Peking Opera-fu aesthetics guidelines- is a prime reason why there are Kungfu vs MMA discussions in modern times.